![]() ![]() To compare this novel with Leon Uris’s propagandist 1958 book, “Exodus”, which presents Zionism as liberation movement, is patently unfair. ![]() McCann has described his work as “a hybrid novel with invention at its core, a work of story-telling which…weaves together elements of speculation, memory, fact and imagination.” His book arose from two stories he heard in 2015 about the killing of 10-year-old Abir, daughter of Bassam Aramin, in 2007 by an Israeli soldier and the killing of 13-year-old Smadar, daughter of Rami Elhanan, in 1997 by a Palestinian suicide bomber. In this novel he writes about the shared experiences of two individuals, an Israeli and a Palestinian. ![]() He doesn’t write about what he knows but what he wants to learn about through his writing. ![]() McCann is a writer who has written about gypsies and other oppressed people and is talented at entering worlds that are new to him. While she makes valid general points about prevailing narratives in Western representations of Palestinians, McCann’s novel does not fall into that disreputable tradition. It ascribes to the novel motives that are simply absent from the text. Susan Abulhawa, one of the most celebrated contemporary Palestinian novelists, has written a devastating review of Colum McCann’s new novel “Apeirogon.” As an appreciative reader of McCann’s new novel, I find her review unfair. ![]()
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